參觀工作室,拜訪看望工作室情景Visit to the Studio_1891_阿爾弗雷德·埃米爾·利奧波德·史蒂文斯油畫作品欣賞。
阿爾弗雷德·史蒂文斯是最早對(duì)歐洲人對(duì)日本藝術(shù)的迷戀做出反應(yīng)的畫家之一。他沒有采用他們的風(fēng)格模式,而是將自己收藏的日本物品融入自己的繪畫裝飾中。在這個(gè)工作室場(chǎng)景的右邊是一個(gè)日本折疊屏幕,它是許多進(jìn)入歐洲內(nèi)部的面板的典型代表。
兩位衣著考究的參觀者正在欣賞史蒂文斯自己的一幅印象主義海景畫,這幅畫處于他職業(yè)生涯的進(jìn)步邊緣,顯示出他對(duì)更傳統(tǒng)的學(xué)術(shù)藝術(shù)的執(zhí)著。
Alfred Stevens was one of the first painters to respond to the European fascination with the art of Japan. He did not adopt their stylistic modes but incorporated Japanese objects, often from his own collection, into the décor of his paintings. At the right of this studio scene is a Japanese folding screen typical of the many panels that found their way into European interiors.
The two well-dressed visitors are viewing one of Stevens' own impressionistic seascapes, a painting on the progressive edge of a career that manifested a lingering commitment to more traditional academic art.